HET INTERSTEDELIJK HARMONIUMVERBOND
Het Interstedelijk Harmoniumverbond (Intercity Harmonium League) is the vehicle that transports Glen Steenkiste, Brecht Ameel, David Edren and Steve Marreyt towards new horizons. Sprouted from Glen Steenkiste's desire to translate his solo harmonium offerings as Hellvete into a more acoustic and ensemble-like form, Het Interstedelijk Harmoniumverbond is a collaborative effort to create deeply interwoven quadraphonic harmonium sounds. Glen Steenkiste talks about this new league.
14 November 2018 |
AG 13
Ameel Brecht
Apart from being the half core of Razen, embodies Ameel Brecht the personae of the master guitar player in the purest form. Using resonator mandolin and guitar he blends European traditions of finger picking into a silent, melancholy world in which suppressed emotion and unspoken poetry are the key words.
The man will release his first solo record this year on KRAAK, so we had a lot to talk about. He will be playing on Sunday at the KRAAK festival 2017. We are sure that after 2 days of madness, his songs will be the perfect cure for the emotional black hole you might experience.
15 February 2017 |
AG 9
Endrhymes Riddle
In the spring of 2015, Razen dropped their 2,5th LP on the KRAAK label, the astonishing Endrhymes. The sustained tones from their earlier releases sublimated into hardcore melodic minimalism and raw dystopian deep listening. The album proves — once again — the craftsmanship and dauntless approach of the collective. Both records as live shows shows a band that are more intense and focussed than ever. After one year hiatus, they are back in full force and will suck you into their end rhymes. They presented the record on August 21st at DRUUM, and old warehouse-turned-into-a-cultural-hub. Asmus Tietschens joined the bill.
01 December 2016 |
AG 8
Razen
On the 15th of November, Razen presents their first double LP. Razen is the duo of Brecht Ameel and Kim Delcour. After a split-lp with Sheldon Siegel and the debut-cd Rope House Temper (both on Kraak), a number of tapes and the album Reed Bombus LFO (Deep Distance), the duo retreated to various chapels and churches in the countryside around Brussels. They started exploring the practices of deep listening and acoustic research during a series of recording sessions. Using largely forgotten or ignored instruments such as shawm, church organ, Ondes Martenot, bombus and baroque flute, Razen forged and refined their sound into a form of contemporary minimalist classicism, albeit one that completely bastardises Early Music traditions.
14 November 2014 |
AG 3