Editorial issue n° 11
Dear reader,
Recently I stumbled upon an interesting article, published in the mid-60s. Reading old essays about art is something of a habit of mine. It helps filtering out the noise that is inherent to the excess supply of information in our times. Some of that noise pertains to figuring out what the role should be of the KRAAK festival. If you attended last years’ editions, you know that the festival is associatively conceived as an assertion on the state of music, proposing a wild and highly intuitive cross section of who might be who and what could be what in off-stream music (notice the conditional character of last phrase).
20 February 2018 |
AG 11
SEF III
SEF III are a trio: Max Eilbacher, Alex Moskos and Duncan Moore, of Horselords, AIDS Wolf and Needle Gun reputation. They playfully combine the fine arts of absurdist text-sound composition, electro-acoustic collage and sound synthesis into a field where performance, fluxus inspired poetry and confusing electronic sound experimentation court each other. Highly recommended: their tape on the ever amazing Ehse Records.
20 February 2018 |
AG 11
