PRINTERS/SCREECHERS
Homemade instruments and far-out sounds moving past the installation room and into the concert hall ~ as a direct addendum to Vroom’s Printer’s Speeches, KRAAK invites two acts whose testament to human ingenuity knows no sonic boundaries! The primitive futurism meets its meta-human form in Dr Truna’s Trio Truna (TX3) and his self-built musical gadgetry, while Sea San’s motorized feedback experiments suspend reality in their hand-built percussive thresholds. A fine flourish to the fine print of this first Vroomer collab!
KIES UW PRIJS | 5 - 7 - 10 |
Trio Truna (TX3)
Hailing from the Valencian coast, the neo-renaissance figure that is the doctor known as Truna comes in many shapes, always involving sound contraptions of his own making that give a voice to his unique musical stylings. Known for collaborating with the likes of Pierre Bastien and Mike Cooper, Dr Truna proves himself to be one of his own key accomplices as he multiplies himself sonically and visually into a one-man avant garde orchestra with Trio Truna (TX3). In this configuration, his neo-dadaist musical inventions come to life for a full-on band experience voiced by inventions such as “cosmic bull”, “music stand from the future” and “cello & magical suitcase”. Baroque and futuristic expressions of kaleidoscopic anarchy is just what the doctor ordered for this trip.
Sea San
Cologne-based multidisciplinary artists Hye Young Sin and Sebastian Von Der Heide (aka Hipólito) started off collaborating as Jerome’s Dream, using the snare and other drum surfaces as springboards for motorized objects and electronic components to take off into abstract soundscapes. Under their new name Sea San, they lay the groundwork for an elastic sensory experience fuelled by home-cooked feedback and DIY robotics, opening new pathways into altered perceptive states of imagining.