First of all, tell us something about yourself, about your background and training.
I grew up in the south of France where I studied classical cello at the conservatory for ten years.
In your performances, you often show two very different sides of your instrument by contrasting more aggressive fragments with very subtle and soft ones. Do you enjoy exploring the extremes of the cello?
You played and recorded with a diverse range of collaborators over the years. How did these encounters affect you as a solo musician?
Improvising, as I mentioned, generates new ideas, and I try to include the goo