Hello Sandra, on your site I read your bio, which states that you’re a sound artist and a composer of electronic music. How does your work approach as a composer differ from what you do as a sound artist?
You’re currently working on a PhD project at the Aarhus University in Denmark, called Tuning the Ear. In this project, you investigate the qualities of hearing through the perspective of impaired listening. How does this rese
There's the academic focus, but I also recognize a lot of rather dry humour in your work. When watching Live Coded Music for Obsolete Computers, for instance, electronic music composers with a desire to organize
You have also worked as a curator for several festivals. What was the reason behind that? Do you take up a role as an organizer with the intention to support people who are active in the same field as you?